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| Shauna Gilligan |
Some years ago, I was accepted for a good writing course that I hoped would help me tame the unruly beast of a novel I had been struggling with for a couple of years. I lasted about five minutes, sadly, as I was told to stop writing it, and do something different - and that wasn’t an option. My decision entirely.
However - every cloud, etc etc. During the five minutes I was there, some very good things happened.
Firstly, I had some wonderful feedback about the voice as it then was, which was more than helpful as I battled on with what would eventually become ‘The Coward’s Tale’.
And secondly, I was introduced in the one workshop session I attended, to to a writer whose work I found very exciting. Her name was Shauna Gilligan, and she came from Ireland. I remember being struck by the style, the lucidity, and thinking, ‘this writer will be published, no question.’ I wasn’t wrong. We kept in touch, on and off, mostly via good old facebook.
Writing colleague and friend, the Irish short story writer, novelist and poet Nuala Ni Chonchuir endorsed the book thus:
'In Shauna Gilligan’s unsettling novel-in-stories, Dirk has troubles that his mother Mary may not be able to right, much as she tries. Gilligan writes intimately of one mother’s possessiveness, devotion and ambition for her son. Rich with insight, this is a book that informs as much as it haunts. As a début it is a very fine piece of work.’ |
and another Irish novelist and short story writer, Eillis ni Dhubihne, says it is:
'A refreshingly thoughtful novel, poised and unpredictable. Delicious in its sensuous details and mischievous sense of humour. Happiness Comes from Nowhere is a truly impressive debut from a writer of exceptional talent.'
The thread that tugs through all the interlinked but very different stories, is Dirk Horn and his struggles. But please don't think this is a book without humour - many of the pieces here zip and zing throughout with sharp dialogue between utterly believable characters. Like life, they and indeed the whole novel, show up multi-faceted, multi-shaded.
It is academic, poet and novelist Sheenagh Pugh who best summarises the underlying themes of this novel, on her review, when she says the fundamental question it poses is surprisingly, an unusual one:
It is academic, poet and novelist Sheenagh Pugh who best summarises the underlying themes of this novel, on her review, when she says the fundamental question it poses is surprisingly, an unusual one:
“...what is it that causes happiness? Why is Dirk sometimes experiencing moments of pure happiness and at other times plunged in despair, when there does not seem to be that much difference in the conditions of his life? And if one could find what causes it, would there be a way of inducing it?
These are questions which don't perhaps crop up in novels as often as one might expect.”
Shauna’s novel is sharply observant, very well-written, with characters who pull you in and won't quite let you go. I’d say it is a highly recommended read.
So now, before you whizz off and get your copy, from all the usuals, but do consider getting it from Ward Wood, or an indie bookshop...Shauna kindly answered a few questions, including which scene she’d like painted.
Vanessa: Welcome to the blog. Firstly, can you tell me about the structure of the novel - as ours both have stories as the basis of their structure - was it planned, or did the novel appear as you wrote the different pieces?
Shauna: The structure wasn’t planned from the start but grew during my editing. I wanted to see the main characters from different angles, through different lenses.
VG: At what point were you aware that the city was going to become a character? Did that change the way you approached the subsequent pieces?
VG: If you could have a painting of one scene from the novel, which would you choose, and who would you want to paint it? Or would it be best as a photo? In which case, colour or black and white?
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| Climbing Croagh Patrick |
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| Statue of St Patrick, Croagh Patrick in the background. |
VG: If you could write a postcard to Dirk, with three quick messages on it, what would they be? (write it...).
SG: The question is, which Dirk? Dirk as a child or Dirk at the end of the book? Let’s take Dirk at the end of the book. The postcard would be a to-do list for him:
Take German lessons.
Go running early every morning – down by the river in Bamberg.
Sit naked in a sauna.
Go running early every morning – down by the river in Bamberg.
Sit naked in a sauna.
VG: Lovely! Tell me - I am very taken by the different voices in the book - which was the easiest voice to get right, and which the hardest, and why do you think that is?
SG: I wouldn’t say any of the voices were easy to get right (if indeed, they are right) but Sheila was one I particularly enjoyed writing. Mary’s voice grew as the novel grew and I found her character became more complex in this regard. I suppose one of the tricky things about the different voices in this novel is that they span over time and exist in different places. So each voice had to reflect and be authentic to, not only character, but also be faithful to the time and society in which it exists.
VG: Not easy - but however you did it - it works. So - what next?
SG: I don’t quite know, Vanessa. I’m working on a number of novels and short stories. It may be any one or none of these and something completely new!
