Monday, 19 September 2011


Take one very beautiful house in a lovely garden, hidden away at the foot of the South Downs, once the home of the economist Maynard Keynes and his Russian ballerina wife.

Add eleven women writers, of all sorts. Here's ten of them - Beginners to established, poets and story-writers, novelists and playwrights. Performance workers and editors. Journalists and imaginers...
Mix gently.
Talke a gifted chef called John, who runs a vegan/vegetarian catering company called Cashew Catering, (not that many of us were even vegetarians, but happy to try...!) and a lovely farmhouse kitchen in which to experience zingy healthy tastes, like stuffed mushrooms, or fruit or savoury crumbles topped with nuts and seeds, fresh soups,

extraordinary brown breads, pretty salads topped with flower petals and whole flowers. Cous cous with roast vegetables, ad inf. Stir the writers in gently, with a large glass of something relaxing, white, red or maybe rose.
Put a writing tutor in the centre, who knows what its like to fight for time to write in among the other calls on one's time - partners, kids, other family, friends, housework ("What housework?" my family are yelling...) Who knows how hard it is sometimes to remember what a gift it is to be able to create.

And who knows how important it is to be given permission to do exactly what you need to do creatively - and to be challenged when you're ready and not before, shifted out of your comfort zone when you want to be challenged.
Leave to warm for 48 hours - two days and nights. At intervals, add in a workshop - with the best writing exercises the tutor knows, appropriate for everyone. Visualisations to open up new scenarios, voices, emotions. Word games to create new connections. Scenarios full of details left out, for you to fill in - to help create living, breathing characters. Maybe a Bedtime Story by the fire at the end of the day to lull you to sleep (or not, if it is funny...).
Throw in a private tour round Charleston Farmhouse, home of the Bloomsbury set, Virginia Woolf's sister Vanessa Bell, Duncan Grant, Roger Fry and later on Clive Bell.
Point writers in the direction of Berwick Church, where the Bloomsbury crowd created murals in which every face is one of their friends, or neighbours. Or go for a walk through the farmyard, skirting the fields, along the old coach road, across more fields, and back home.
Finally, add inspiring guests who will share a meal, and wine, and talk to us, then answer questions until the questions run out. Firstly, a successful female poly-talented writer actress and director, playwright, and novelist, Carole Hayman, she of the stunning Pre-Raphaelite hair, and co-creator of 'Ladies of Letters', among other things. (Who tells us that Fay Weldon reckons you ought to be able to write your novel in 3 weeks if you focus hard enough). Secondly, a top publisher. Helen Garnons-Williams, Editorial Director of Bloomsbury, to give us the insiders' view of the publishing world. What commissioning editors are looking for. The huge benefits of having an agent. And the topsy-turvy world that is e-books. (See us all chatting before Sunday lunch, on the lawn, in one of the first pics above.)

Check for consistency. Be told that every participant had achieved or surpassed their personal objectives. Feel very delighted, and enjoy all the new friendships made, the shared inspirations, the hopes to met again soon.
Retire to bed on the third day absolutely knackered.

Leftovers can be enjoyed, gently warmed for a few days. Especially while reading unsolicited feedback sent to New Writing South, like these snippets:

Just a note to say how much I (and, I am sure, everyone) enjoyed this last weekend at Tilton. It was easily the best writing event I have attended in all respects and I came away inspired!

Just a quick thank you for a wonderful writing retreat - I think that you and Vanessa gauged it perfectly - well done!

I had no idea that this was the first writing retreat that New Writing South had organised - it all looked very professional but I'm sure there was a lot of hard work involved.
It was the best writing workshop I've been on - inspiring tutor, perfect setting, delicious and healthy food and lots of time and space to write. I feel as if I've come back with a treasure trove of energy and ideas to keep me going through the winter.
So thank you.

Thursday, 15 September 2011

Look! My book!

That's all - just a whole box of the beautiful Coward's Tales...sigh. Its gorgeous. Silvery shining leaves, feathers, river, a village and mountain, statue, old man and boy. And a rather stunning fish.
(Thanks to Stephen Moran for turning the pic round, otherwise you'd have had to look at the book backwards... like this...!
I'm allowed to be excited - 'The Coward's Tale' is on the Bookseller's Choice list for November, thanks to a nomination from the lovely people at the Torbay Bookshop. And it's been reviewed by A N Wilson for a future issue of Reader's Digest... positively, one gathers.

Anam Cara is booked for late Jan early Feb - I need to write!

Monday, 12 September 2011


Neil Blower.

My second short story collection, 'Storm Warning' was written for my father, a man who was awarded the MC in WWII. He died in May, at 95. Dad was naturally a gentle man, and he never quite got over some of the events he'd witnessed and had to take part in. I wanted to explore in fiction the aftershocks of conflict, to show the different ways in which those caught up in conflict of many kinds can be changed - and I have been pleased with the response to my book.
But then I heard on Twitter of the novelist Neil Blower, who goes under the name @realtommyatkins - a guy who has not only experienced conflict first hand, but who has written a novel partly in an attempt to combat the after-effects - and I badly wanted to read his book. Thanks very much to the publishers for sending me a copy.
'Shell Shock, Diary of Tommy Atkins' is published by Firestep Press, and the publisher says this:
This short, diary-style novel, by a British army veteran chronicles the difficulties faced by Tommy, a 23-year-old squaddie, as he desperately tries to conquer post traumatic stress disorder (PTSD) – shell shock. His over-emotional responses to the stresses of everyday life – post-office queues, a trip to Ikea, and his relationship with his family and girlfriend – eventually lead to alienation and suicidal urges.
Told in the vernacular, with humour and personal understanding, the story highlights the work of the Charity Combat Stress in rehabilitating returning troops.

'Shell Shock, Diary of Tommy Atkins' comes out from Firestep Press on October 1st. On Firestep's website you can read the very strong endorsements this book has already received from senior figures in the forces. It is a short novel, and certainly not sweet. It is a quick read, and one that most readers will find hard to forget. It is an important novel, and I'd urge readers of this blog to go off and buy it - you are also giving a donation to a fabulously worthwhile charity, Combat Stress. But more of that later.
Shell Shock's main character is Tommy Atkins - named of course after the nickname given to British soldiers in WWI.But this is not then, it is now. very much so. This particular Tommy Atkins, in his early 20s, has been discharged from the Army suffering from Post Traumatic Stress Disorder. He goes home to parents whose marriage is fragile - and to a girlfriend, Shell, who adores him and is glad to have him back. The novel is set, as the title suggests, like a diary, and very quickly I began to experience that strange voyeuristic feeling - 'I shouldn't be reading this' - as if I really was reading something intensely private. Tommy chronicles his every day experiences - his attempts to find employment, his working relationships, his relationship with Shell, and with his parents, the ups and downs that gradually become overwhelming. Is it weak to admit I was in tears in places? I don't think so.
As a fellow writer, I was absolutely captivated by the voice. It is clear, unforced, strong as hell, natural and absolutely believable, just the voice of an ordinary guy caught in an extraordinary situation -that's why I sank so easily into the role of observer, I think.
I knew a little about PTSD. Among other things, my own writing tutor suffered from this debilitating, hidden syndrome - hidden because nothing 'shows' - we like our injured people to wear bandages and splints so we can see where the trouble is, don't we? And my own father must have suffered for sixty years from a mild form of the same thing, on and off - something that got in the way of his everyday life after he left the Army in 1946. And in those days there was no help - nothing was recognised. You were expected to get on with things. Which he did. But my goodness - life could have been so much better for those men...
Now, having read 'Shell Shock', having got to know 'Tommy Atkins' through his diary, and the raw honesty with which Blower portrays his character, I can recognise so many things which affected my Dad - and I've never really put two and two together in such a clear way.
Reading round the subject - somewhere I read Neil Blower's acknowledgement that this is not a 'literary' novel - as if it ever ought to have been. Forcing it into a literary jacket would have been absolutely the wrong thing to do. I appreciate what he's done, I have huge respect for this rather special novel, which will not be easily pigeonholed, thank heavens. I also discovered that he is doing a degree - and that he has recently discovered that he is both dyslexic, and suffers from a condition on the autism spectrum.

ME: Neil was kind enough to natter to me for the blog - through his publicist. So thanks, Neil! First, can you give us a bit of background about yourself, your time in the forces and since?

I joined the army in 1999 and served five years with the Royal Tank Regiment, taking part in operations in Kosovo and the Iraq war. After I left the army I did a number of minimum wage jobs including security which I stayed doing until I decided to go to University. The thing about working in security is that over a 12 hour shift, especially nights, you have a lot of time to kill, so I read. I read books on everything from politics to history to physics, I'd always been a keen reader but mostly fiction. I wanted to know everything about everything, I'm convinced this has something to do with being around death and violence because before Iraq I had never really been interested in academic pursuits.

ME: I very much enjoyed reading 'Shell Shock, the Diary of Tommy Atkins' - I also found it very moving. What do you want your readers to feel after they've read your novel?

I hope they don't think it's garbage ha ha. Seriously though, if people read it and have a better understanding of what our soldiers have to face, not just at war but when they come home as well then I'd be happy.

ME: I read that you've suffered from PTSD yourself, and were advised to 'do something creative' to combat the stress. Was it a deliberate decision on your part to write fiction, as opposed to non-fiction/memoir? If so, why?

Yes it was very much a deliberate decision. I've always been into books since childhood. Then after I left the army and was told that creativity may help my condition that was the my first thought, I also played about with screenwriting. It started off as a hobby really, then I thought, maybe I could do it for real and someday get published, then it became an ambition and not to sound like a cliche, a dream. There's lots of things I want to write about, not just war or the military, but I think for me it's a good place to start.

ME: 'Shell Shock' is a real eye-opener. Two scenes in particular have stayed with me - firstly, when the Army doctor tells Tommy he's no longer under his care, almost 'abandoning' him. And second, when Shell's friends ask about killing. Both those scenes seem to underline the huge gulf between Tommy and others. Can you talk a bit about writing those scenes?

Well the bit about the Doctor is true, once you leave the forces that's it. You are someone else's problem. It's nothing personal, that's just the way it is. Like with the married accommodation, once you leave - you have to move out. Like many things in our society, it;s the rules that need changing. And as for the question about killing, I've had that a number of times "did you ever kill anyone?" I think with our general perception of war this is an obvious question, albeit a very insensitive and sometimes ignorant one. The vast majority of people will never, ever be put in a situation where they will have to end the life of another human being and I think this is why people ask. Also it has been glamourised and romanticised to a certain degree on TV and in films. In the new Bond films and the Bourne Franchise for example - the hero is a killer and has to live with it. I did write those scenes to highlight the gulf between soldiers and civilians.

ME: As I said on Twitter, I think Shell Shock is an 'important' novel. Were you aware of its importance as you were writing it - and if so did that help or hinder?

As I was writing it, I just wanted to make it as good and truthful as possible (and finish it). It was only after we started to get feedback and reviews that its importance crossed my mind and it's not really for me to say. I'd be very, very proud if it is considered an important novel though.

ME: You're doing a degree at the moment, I think, in English Lit/Creative writing? What's that like?

I'm really enjoying it, the learning feeds into my work, knowing what's gone before and being in that environment has really helped not only my creative side but my knowledge base as well. I'm the first person in my family to ever go to University so I'm proud just to be there.

ME: Tell me a bit about the dyslexia and the autism spectrum issue. If these had been picked up earlier on what difference would that have made?

I was absolutely mortified when I found out. I wanted to be a published author - how would this ever happen now? But then I thought, you know what, I can do this, it will happen. I don't think it would have made a difference if it was picked up earlier, I'd not really been in a situation where it mattered, it just means I see things differently than other people that's all.

ME: I hadn't heard of Combat Stress, the charity and I bet I'm not alone. I gather a not insubstantial donation (£1) is given to the charity for each copy of your novel that is sold...Would you like to say something about it and the work it does?

Combat Stress do a fantastic job. I think they are starting to get a higher profile. But I also think that over the coming decade PTSD will be a major issue in this country, the amount of people who have served in Iraq and Afghanistan coupled with the intensity of the fighting means that the number of PTSD sufferers will go through the roof and this in turn affects the NHS, welfare, crime, so it's important we recognise the condition and the organisations that can help.

ME: Anything else you'd like to natter about?

Ha ha, there's lots I could talk about but I'll save that for my novels. I just hope people enjoy Shell Shock and get something from it. And for in depth info about PTSD please see the website of Combat Stress .

ME Thanks Neil, very much, and loads of good luck with 'Shell Shock', and the next piece of work.


Other reviews of 'Shell Shock' include this, on

Copies of 'Shell Shock - the Diary of Tommy Atkins' can be bought from the usual suspects, including the Publisher, and Amazon-HERE. Don't forget, you are also giving a donation to Combat Stress, who are doing a fantastic and difficult job...


Neil Blower is a British author, screenwriter and novelist based in Manchester.
He joined the British army when he left school and served five years with the Royal Tank Regiment. Serving on operations in Kosovo and the 2003 Invasion of Iraq.
Neil is currently studying for a degree in English literature and creative writing at the university of Salford.
His first book - Shell Shock: The diary of Tommy Atkins will be released in paperback October 2011 by Firestep Press - an imprint of Firestep publishing.
He is now working on his second book - My subject is war. A collection of short stories exploring the realities of contemporary conflict.
Neil is an avid reader, his favourite writers being Hemingway, James Joyce and Joseph Conrad.
He goes to the gym regularly and boxed in the army and is a big fight fan. He is also a big fan of film, anything from blockbusters to indie films. He is also a keen skier.
Neil is engaged to married to his partner of eight years Samantha, they live in Manchester with their young son.


And finally -having read this book, and talked with Neil, I decided to give all royalties from 'Storm Warning' to Combat Stress.

Friday, 2 September 2011

A week of #StoryGym

Last time I was away from Internet for a while, writers Tania Hershman and Claire King kindly stepped into the breach and invented suitably interesting prompts for the daily #StoryGym workout on Twitter, for those writers who want to.
Away again, so here's a week or so's worth just for fun!

1. Caught in the eye of the storm, carrying a child...

2. What was in the suitcase left on platform 12...

3. Her man the poet, her man the liar...

4. They meet in The George at Stamford, by mistake...

5. Supper served in a petri dish...

6. A small explosion in the garden shed...

7. He climbed to the top of the highest hill and howled...

8. "Tell me why the grass is green," he said, chewing his nails...

9. What was behind you when you looked in the mirror...

Have fun!